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Fire Dance
Posted by admin on December 14, 2011
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Yemen Tihama: Trance & Dance Music From The Red Sea Coast Of Arabia
Posted by admin on December 11, 2011
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Sensual Belly Dance II
Posted by admin on December 10, 2011
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Sensual belly dance II explores the mystical lands of ancient Egypt, one of the oldest and most spiritual civilizations in the world. Explore the culture that built the mysterious pyramids, created the language of hieroglyphics and flourished in the region for more than 3,000 years. Uptempo Arabic, Egyptian and middle Eastern rhythms are infused with captivating melodies and mixed with modern dance grooves for your bellydancing and listening pleasure.
This product is manufactured on demand using CD-R recordable media. Amazon.com’s standard return policy will apply.
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Arabian Classics for Belly Dance
Posted by admin on December 3, 2011
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Exotic Music of the Belly Dancer (Dig)
Posted by admin on November 30, 2011
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One of the most popular vintage bellydance recordings of the 1950′s on CD for the first time!
MOHAMMED EL BAKKAR will always be remembered as a favorite of lovers of Middle Eastern music both in this country and abroad. Prior to his coming to the United States, where he was a featured star in the Broadway musical hit “Fanny” for two and one-half years, he was the leading tenor of the Orient. As such he had a long list of outstanding appearances to his credit, including command performances for King Ibn Saud of Saudi Arabia, the Shah of Iran, former King Farouk of Egypt and Maj. Gen. Mohammed Naguib, his successor. Bakkar also was an accomplished actor. He produced, directed and acted in no less than thirty-two motion pictures. In addition, he was heard on many radio and television programs in the triple role of singer, arranger and conductor. He filled numerous engagements in major eastern American cities, where he received enthusiastic acclaim. During leisure hours, he liked nothing better than to entertain his Syrian, Lebanese, Turkish and Persian compatriots wherever they congregated.
1. Farha (Happiness) 3.32
2. Em Al Jadayil (Girl with Braided Hair) 3.04
3. Basat El Reeh (Magic Carpet) 3.43
4. Lesh Hek (Why is it Like This?) 3.40
5. Helaho (Exclamation) 3.22
6. Farhet Al Alb (Happiness of the Heart) 3.34
7. Ayoun Bakkar (Eyes of Bakkar) 2.36
8. Khayali (Improvisation) 3.50
9. Raks Al Dabke (The Dabke Dance) 3.48
10. Ya Bent Ammi (Uncle’s Daughter) 3.11
11. Rakset Sahara (Sahara Dance) 3.48
12. Minshibbak (From My Window) 3.59
13. Alf Leyla (A Thousand Nights) 3.19
14. Et-Jammaana (We Gathered) 5.00
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Cafe Belly Dance
Posted by admin on November 19, 2011
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2010 three CD deluxe package containing over three hours of music. Pull up a seat at the Belly Dance Cafâ??, order a glass of steaming hot tea and enjoy the show. Who knows, maybe you’ll even get up and move a little yourself. And why not? Here are some of the very best Middle Eastern artists performing classic material influenced by music from the Sahara to the Orient. 43 tracks. Metro Triples.
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Sensual Belly Dance
Posted by admin on November 15, 2011
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Sensual belly dance creates a beautiful sonic tapestry inspired by the mystical and romantic cultures of the Middle East. Authentic Arabic, Egyptian, Turkish and Persian instruments, voices and rhythms are combined with modern dance grooves and enchanting melodies. A magic carpet ride exploring the exotic world of ancient legends, mystery, love, conflicts and passion.
This product is manufactured on demand using CD-R recordable media. Amazon.com’s standard return policy will apply.
Communication of Ideas: Africa and its Influence: An entry from Charles Scribner’s Sons’ <i>New Dictionary of the History of Ideas</i>
Posted by admin on November 14, 2011
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This digital document is an article from New Dictionary of the History of Ideas, brought to you by Gale®, a part of Cengage Learning, a world leader in e-research and educational publishing for libraries, schools and businesses. The length of the article is 5488 words. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser. The publication of the New Dictionary of the History of Ideas marks the return of a reference work that is an essential tool to make the often complex history of what we think accessible to students and general readers. The original 1974 Dictionary of the History of Ideas has long been admired as a landmark document encapsulating the thinking of an era. This thoroughly re-envisioned New Dictionary of the History of Ideas brings fresh intelligence and a global perspective to bear on timeless questions about the individual and society. A distinguished team of international scholars explore new thinking in areas previously covered (communism, linguistics, physics) and present cross-cultural perspectives on more recent topics such as postmodernism, deconstruction and post-colonialism
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The Graying of the Raven: Cultural & Sociopolitical Significance of Algerian Folk Poetry
Posted by admin on November 12, 2011
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From East to West The raven has turned gray O Reader of the unknown Help us in our ordeal! With a fine touch, Aida Bamia has explored the work of Muhammad bin al-Tayyib ‘Alili (c.1894-c.1954), a hitherto virtually unknown oral poet of Algeria, bringing to her analysis new understanding of folk poetry as part of a people’s collective memory and their resistance to colonization. For ‘Alili’s audience the despair and suffering faced by poor farmers before independence is embodied by the raven, grown old and gray with ceaseless frustration and humiliation. Because of its oralâ??and all too often ephemeralâ??nature, the work of poets such as ‘Alili could escape close scrutiny by French colonial administrators who sought to eradicate nationalistic and ethnic elements. With succinct commentary, Bamia presents an outstanding historical and contextual background for ‘Alili’s repertoire, while she details the richness and variety of poetic forms that had developed in North Africa. In doing so, she shows an intimate grasp of the poet’s repertoire and technique, as well as of the colonial and postcolonial implications of Algerian folklore and poetry.
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Music for the Hips
Posted by admin on November 10, 2011
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